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Miss · MG

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* * *
In the desert
I saw a creature, naked, bestial,
Who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said: "Is it good, friend?"
"It is bitter-bitter," he answered;
"But I like it
Because it is bitter,
And because it is my heart."
* * *
They shut me up in Prose
As when a little Girl
They put me in the Closet
Because they liked me "still"
* * *
The carpet was thick with sand and rotted black in the corners. It curled green in on itself like the bottom junk waves. Someone had dragged a child's mattress to the center of the room. It dipped deeply down in the middle with scuff marks along the edges. Swee dipped deeply down too, curved in the spine, like soap returned to a dish. As she spoke, that fine pollen hair stuck to her lips.

"Yeahh." Her eyes were closed. Shawna fished for damp towels, made a nest on the floor besides Swee. She remembered child baths at night, turban from a towel and one across the mouth too; and her mother would say, look, beware, it's the mysterious lady from the East.

And when she closed her eyes, she saw Danny, she saw Carmichael, heard Oliver Neal-Scott singing

"little groovers take the wheel
we've got an empty wallet and nothing to steal
little groovers take me down the summer road
where I've got you and there's nothing to hold"

* * *
* * *
I like to see it lap the miles,
And lick the valleys up
* * *
I'm nobody! Who are you?
Are you nobody, too?
Then there's a pair of us -- don't tell!
They'd banish us, you know.

How dreary to be somebody!
How public, like a frog
To tell your name the livelong day
To an admiring bog!

* * *
* * *
The third showed the pinnacle of an iceberg piercing a polar winter sky: a muster of northern lights reared their dim lances, close serried, along the horizon. Throwing these into distance, rose, in the foreground, a head,—a colossal head, inclined towards the iceberg, and resting against it. Two thin hands, joined under the forehead, and supporting it, drew up before the lower features a sable veil, a brow quite bloodless, white as bone, and an eye hollow and fixed, blank of meaning but for the glassiness of despair, alone were visible. Above the temples, amidst wreathed turban folds of black drapery, vague in its character and consistency as cloud, gleamed a ring of white flame, gemmed with sparkles of a more lurid tinge. This pale crescent was “the likeness of a kingly crown;” what it diademed was “the shape which shape had none.”
* * *
* * *
Because I could not stop for Death,
He kindly stopped for me;
The carriage held but just ourselves
And Immortality.

We slowly drove, he knew no haste,
And I had put away
My labor, and my leisure too,
For his civility.

We passed the school, where children strove
At recess, in the ring;
We passed the fields of gazing grain,
We passed the setting sun.

Or rather, be passed us;
The dews grew quivering and chill,
For only gossamer my gown,
My tippet only tulle.

We paused before house that seemed
A swelling of the ground;
The roof was scarcely visible,
The cornice but a mound.

Since then 'tis centuries, and yet each
Feels shorter than the day
I first surmised the horses' heads
Were toward eternity.

* * *
* * *
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

* * *
* * *

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